The Square
《自由廣場(chǎng)》

Ruben ?stlund has some issues with the contemporary art scene. "In the art world," the Swedish director told Variety, "you bring everything you do into a theory level, where it loses its contact with the outside world in many ways." He should know. His new film, starring Dominic West as a US artist showing off a new installation that's supposed to encourage consideration and humanistic regard, is loosely based on his own experience. ?stlund once debuted an installation where two people enter a square space meant to symbolise a street intersection, and in that space they interact with each other following the courtesy and deference of motorists to pedestrians encouraged by traffic laws. Art should "remind us of those humanistic values," ?stlund says. "I think that this is not very common in the art world."
魯本?奧斯特倫德對(duì)當(dāng)代藝術(shù)界有些看法。這位瑞典導(dǎo)演告訴《Variety》，“在藝術(shù)世界里，你把自己所做的一切都上升到理論的高度，這樣切斷了藝術(shù)與外界的許多聯(lián)系?！彼麑?duì)此深有體會(huì)。奧斯特倫德的新片《自由廣場(chǎng)》基本基于他的個(gè)人經(jīng)歷，片中多米尼克?威斯特飾演一位美國(guó)藝術(shù)家，他大肆鼓吹一個(gè)本應(yīng)該宣揚(yáng)關(guān)懷和人文主義的新裝置藝術(shù)品。奧斯特倫德曾經(jīng)推出一個(gè)裝置藝術(shù)品，在這件作品中，兩個(gè)人進(jìn)入代表著街道十字路口的空間，在這里他們發(fā)生互動(dòng)，在交通法規(guī)的引導(dǎo)下，開(kāi)車的人對(duì)行人有禮而尊重。奧斯特倫德說(shuō)，藝術(shù)應(yīng)該“讓我們想起那些人文價(jià)值，我認(rèn)為這在藝術(shù)世界中不常見(jiàn)。”